Monday, April 12, 2010

Mad Shows, Flows, Airplanes Overseas

Digable Planets are now on tour in western Europe!!! Thank you brothers for bringing the love to us here in this increasingly xenophobic corner of the world. I'll be at the London show, and am sure it'll be even better than their phenomenal 2005 appearance, also at the Jazz Cafe. Backed by UGO, who collaborated with Doodlebug back in the day. Dates:

9 Apr 2010, Bohannon, Berlin
10 Apr 2010, Stadtkeller, Linz
11 Apr 2010, Nexx, Brussels
14 Apr 2010, Nouveau Kasino, Paris
15 Apr 2010, Subway, Cologne
16 Apr 2010, Rust, Copenhagen
19 Apr 2010, Paradiso, Amsterdam
22 Apr 2010, Jazz Cafe, London
23 Apr 2010, Crawdaddy, Dublin
24 Apr 2010, MTV Europe, interview, Oslo

Canadian Tour in May: details TBA.

Sunday, April 11, 2010

We All Go

Kevin Capp offers a review of Shabazz Palaces hometown debut back in January, bringing out something of the feel of the night. He should note that the headgear in question was a turban, not a 'headscarf'; the latter are worn by women. In the future we can talk about the divine symbolism of the turban. I need a scanner to depict what a Sheikh from Timbuktu explained about that style of turban; it was fascinating.

San Franciscans were treated to a Digable Planets w/Camp Lo show on March 25th. They were backed by Daru Jones's band, and there's a fascinating video clip on You Tube showing the musicians rehearsing the songs. Real musicians. They run through 9th Wonder and Jettin' but best of all offer a sweet take on the beloved and majestic Black Ego. Listen to the bassline as the chords change. Unparalelled. Talking of stupendous musicians, what happened to the Cherrywine players??

The Seattle Times' music writer Andrew Matson has been doing sterling work spreading the word about SP for a good while now via his blog Matson on Music. Last week he appeared on KUOW 94.9FM and discussed We All Go. His interpretation of the song is totally different to mine, and that is part of the magic... like he said, everyone feels an intimate connection to this music, like it was meant just for them. I'm looking forward to discussing the songs in more detail. Matson's view of it being about everyone going to the club together was something that never occurred to me. I always heard it as a reminder of life's transience. Hopefully we can all bring our own insights to the table and draw out some of the treasures within the palaces.